Next-gen signal reinforcement
Audio engineering & high-capacity audio rigs
Fully mobile out of Maricopa, Arizona. From weddings and private parties to corporate events and festival stages, we deploy ultra-low latency wireless stage networks, uncompromised front-of-house mixing and festival-tier line arrays, mapped to your venue.
What we cover
From a first dance to a festival main stage, every job gets the same rig standards and the same attention to detail.
Line array and full front-of-house for crowds of 800+.
Backline, in-ear monitors and rider-ready setups.
Clean sound for the ceremony, the toasts and the dance floor.
Clear sound for keynotes, presentations and live entertainment.
Concert-grade sound, scaled to the size of your party.
Signal path
One self-contained system, rigged and run by our crew. Every stage is ours, so there are no handoffs to chase on show day.
UHF multi-channel instrument feeds and isolated splitters in a self-contained tour shock rack.
48 channels, 24 Midas PRO mic preamps, scene recall and 64-track capture.
Multi-channel amplification driving the full main array and subwoofers.
Four line array modules on dual 14-foot crank stands, with JBL SRX828S passive subs.
Monitors run in parallel: wireless IEM mixes return to the stage, controlled by each artist from a phone.
System deployments & hardware
Four systems that travel together or separately, specified to your venue and rider.
Main stage array
Four JBL VRX932LA high-output line array modules flown on dual heavy-duty 14-foot crank stands. Fifteen thousand watts of multi-channel amplification and high-throw JBL SRX828S dual passive subwoofers carry maximum dispersion over crowds of 800+.
Front of house desk
A flagship 48-channel digital console with 24 Midas PRO mic preamps. Precision stereo bus routing, automated scene execution and virtual soundcheck calibration, plus clean 64-track multitrack live capture.
Monitor world
A self-contained tour shock rack running multi-channel wireless in-ear monitor systems and UHF multi-channel wireless instrument feeds. Artists keep direct smartphone app control over their custom stage mixes.
Stage backline
Touring riders, satisfied smoothly. Premium instrument deployment with a pristine, genuine vintage tube pre-amp Hammond A100 organ paired with a Leslie 122 rotary speaker, and full acoustic festival drum shell hardware packs.
Why Manna Audio
Ten years of live sound has taught us one rule: when the show starts, the sound has to work. Every deployment is built around it, from the gear we carry to the people who run it.
Every contract includes professional rigging and a dedicated FOH sound tech, so someone who knows the rig is at the desk all event.
Festival-tier JBL VRX line arrays, a 48-channel WING with Midas PRO preamps and 15,000 watts of amplification, sized for crowds of 800+.
Everything travels securely cased in our closed trailers out of Maricopa, so it arrives ready to rig.
A registered Arizona LLC carrying $1M/$2M commercial operations insurance.
Dispatch coverage
How booking works
Every booking starts with a conversation. It gives us a clear picture of your venue, the logistics and the potential setup, and a clear plan for how we move forward together to make your event one to remember.
Call, text or email the production desk with your date, your venue and the kind of event you have in mind.
We talk through the venue, the logistics and the potential setup until everyone knows exactly what the day looks like.
With the picture clear, we confirm the plan and the rig, and get to work on an awesome event.
Have ready when you call